"Alicia Alexander moved gracefully, acted responsively, and sang ardently.  She colored her voice expressively in the Act II duet with Germont, carefully delineating the variety of emotions--indignation, rage, sorrow, resignation, despair--encompassed in the fifteen minute scene."

 -Erick Neher, Opera Monthly

             "Of the four singers heard Sunday, soprano Alicia Alexander was clearly in a class by herself.  She has a voice both powerful and pliant, one that could set the hall ringing and then taper down to a sweet hush.  Her renditions of Rusalka's "Song to the Moon" and Micaela's aria were the afternoon's highlights."

 -Scott Cantrell, Albany Times Union

            "Alicia Alexander is a treat to both the eye and the ear and audience response was most warm, enthusiastic, and perceptive.  They seemed to sense that they were in on the blossoming of what should be a spectacular career.  For one so young to display, in addition to a great natural gift, the musicianship, the stage presence, and the sincere immersion in her work is a feat to be admired by all."

-Edward Wismer, The Sentinel Ledger

             "Alicia Alexander, a comely blonde, made a nicely haughty Widow singing the lovely Lehar music with the proper Viennese panache."

 -Simon Saltzman, The Summit Herald

             "Ms. Alexander made an engaging Widow who quickly captured and held her audience."

 The Denville Citizen